捷克斯洛伐克60年代新浪潮电影二十五面体
影片信息
- 状态：HD
- 主演：斯特凡·乌赫尔/米洛斯·福尔曼/Jaromil Jireš/帕维尔·祖拉契克/扬·施密特/埃瓦尔德·朔尔姆/Jan Němec/伊凡·帕瑟/Karel Kachyňa/杨·卡达尔/艾尔玛·克洛斯/奥塔/
- 导演：马丁·舒利克/
- 年份：2010
- 地区：其它/
- 类型：记录片/纪录片/
- 时长：内详
- 上映：2010
- 语言：其它
- 更新：2024-07-07 16:34:02
- 简介： The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure
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剧情简介
The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure
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